|'Yesterday': All Over Again|
Having experienced the progressive, enlightened and somewhat earth-shaking era of the 1960s, I figured we good citizens had given at the office, that we were forever vaccinated with Pepperland dust and therefore protected from the ignominious cloud currently darkening our horizons. We just can't go back to the Middle Ages. I'd look
|'The Dead Don't Die': Having Fun With the Oxymoron|
I'd be impressed if I learned that a history prof in some U.S. university was showing his class director Jim Jarmusch's zombie/horror/comedy "The Dead Don't Die" as an instructive metaphor for the zombies down in Foggy Bottom. It might be a stretch, but then again, c'mon.
Possessed of no morality and
|'Late Night': Funny Business|
Somewhere between my wild youth and the acquiescence to middle-class mediocrity if not respectability, there was my bachelor pad era. The Cohens, a childless couple who had no designs on a single-family home until they inherited one, had relinquished their pink apartment on Pingry Place. And thus, after a bribe, unbeknownst to me, from my Mom
|'The Spy Behind Home Plate': Glove, Mask, Cloak-and-Dagger|
"Get your scorecards. Get your scorecards. Can't tell the spies from the conspirators without a scorecard."
Such was just one of my thoughts after seeing filmmaker Aviva Kempner's fascinating, incredible and rather mind-blowing documentary about Morris "Moe" Berg, Major League catcher, Princeton (B.A.)
|'Rocketman': Godzilla vs. Elton John|
I actually wanted to see the new "Godzilla." Not that I'm a big fan of the franchise. Maybe it's the kid in me or perhaps because the early stuff was so hokey and so terribly dubbed that it was entertaining. Composed of poorly constructed miniatures and the barest of plots, it was probably the hypersuspension of disbelief
|'Aladdin': Wishful Thinking|
Three wishes. It sure seems like a lot. One would think you could solve all the world's problems as well as a few of your own if a genie granted them to you. But after mulling director Guy Ritchie's adaptation of the "One Thousand and One Nights" Arabian folktale Disney first treated us to in 1992, I'm still not certain
|'Poms': Something to Cheer About|
The philosophical gist of "Poms," a rootin'-tootin' homage to Baby Boomer relevance about a former cheerleader who forms a cheer leading squad at her retirement community, reminded me of an illuminating exchange I had with my wife, Joanne, about 20 years ago.
We were driving across the Neversink River in
|'Long Shot': Proves a Winning Bet|
I'm giving director Jonathan Levine's "Long Shot" a three, even though by most of my film-criticizing parameters (pace, creativity, screenplay, blah, blah, blah) it rates a 2.5. But hey, it's such a convivial and much needed feel-good movie that I'm figuring why be a piker? It's not like I have to pay Microsoft a
|'Avengers: Endgame': What the World Needs Now|
Y'know how I'm always looking for metaphors and clues in movies that might lead the way to saving our republic from the current rash of misanthropic evildoers? Y'know, those who would replace our democracy with autocracy for their own profit and narcissistic obsession. Well, someday I'm going to just review a movie. But this
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